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Text: Abdelkader Benali
Direction and libretto: David Prins
Composition and electronics: Guy Harries
Film and video: Conny de Vugt
Actor: Sabri Saad el Hamus
Soprano: Jannie Pranger
Music: Ensemble New Amsterdam (Marcel Andriessen, Michel Marang, Ilonka van den Bercken, Guy Harries, Behsat Üvez)
Costumes: R U I M (Rene van der Leest en Sigrid van Kleef)
Light: Ace McCarron
Sound direction : Paul Jeukendrup
Production leader: EENPUNT6/ Kees Kaya
Producer: Ilonka van den Bercken with Bodylab Art Foundation
Sales: Annemarie Reitsma Produkties www.operanu.nl
Promotion: Bureau Barel + 31 20 412 1415
 
 

 
 
Abdelkader Benali - writer
born in Ighazzazen, Morocco, living in the Netherlands since the age of four. In 1996 he published his debut novel, Wedding by the Sea, which was nominated for the Libris Literature prize 1997 and was awarded the Geertjan Lubberhuizen prize 1997 for best debut novel of the year. The novel has been translated into 10 languages, and won the Prix du Meilleur Premier Roman Etranger in France. Benali also wrote a second novel, The Long-awaited nominated for the Libris Literature Prize 2003, two successful plays (Jasser, and The Unlucky One), as well as a collection of short stories, Messages from Poppy Seed Town. His third title came out in 2005: Let it be beautiful again tomorrow. He also gives lectures on a regular basis on a wide variety of subjects and writes frequently for the Dutch newspaper NRC-Handelsblad.
 
David Prins - director
David Prins studied cello and music theatre direction at the Royal Conservatory in The Hague, Netherlands. In the past 15 years he has developed as an independent stage director for music theatre. He staged operas by Mozart, Purcell, Poulenc, Verdi, Puccini, Offenbach, Menotti, Vaughn Williams, Shostakovich, Von Suppé and Andriessen. He has also worked on plays such as by Ionesco, Albee, Anouilh, Büchner, Dürrenmatt and Synge.
Stagings by Prins have been played on all major stages throughout the Netherlands. David Prins has also worked in Germany, Belgium, France, Austria, Israel and the Russian Federation. In the coming season he will continue his arrangement and staging of “A Tempest”, a collaboration with Baroque Opera Amsterdam in their series “Purcell on Stage”. He will also work on the newly written opera “Jasser”, a theatre monologue written by Abdelkader Benali arranged by Prins into a libretto and music written by the Israeli composer Guy Harries, and he will stage “Don Giovanni” with the Russian State Opera in Kazan.
In 2007 Prins will stage “Rusalka” with Opera Zuid and he will stage his first Wagner production in Austria with “Der Fliegende Holländer”.
     
  Guy Harries - composer
Composer/performer born in Israel, working in London and Amsterdam. He studied sonology and composition at the Royal Conservatory in the Hague. He has worked extensively as flutist and vocalist. His current musical work consists mostly of the interactive combination of live electronics and acoustic instruments. His compositions were broadcast and performed in various venues around the world. He was winner of the Henriette Bosmans prize of the Association of Dutch composers (GeNeCo)
for the year 2000. He collaborated with musician Meira Asher in the programme Infantry (performance and album), and with ensembles such as POW and the N Ensemble. His compositions have been performed by contemporary ensembles such as: Tate Ensemble, SOIL, The Roentgen Connection, Dutch Vocal Lab and LOOS. At the moment he is studying for a PhD in electro-acoustic composition at City University in London. He is also a singer-songwriter, practising electronic troubadourism with his laptop and voice.
For more information: www.myspace.com/gharries

 
   
     
  Conny de Vugt - visual artist
Graduated from the Willem de Kooning Academy in Rotterdam in 1993. In her independent short films she combines a variety of video, photo and animation techniques. A number of her films were premiered at international film festivals all over Europe. One of these, Nahrung (2005), was taken into distribution by Interfilm Berlin after it was screened at the Going Underground Festival in Berlin. In 2002 she founded her own company Keep Shooting. She produces her own films, as well as video and animation for theatre performances, exhibitions and art projects. Her film work for theatre began when she was invited to participate in the project Serendipity 6 (Theater Bonheur, 2000), for which she created the video installation Irina Ratushinskaja Vertelt...
She created images and animations for several performances. She worked with Gerrit Timmers of Onafhankelijk Toneel in Abels Eiland and Dominiek (2002/2003), David Prins in Contact - De Opera (Productiehuis Rotterdamse Schouwburg, 2003), Hans Lein for the youth performances Less Than Zero, Klassenstrijd and De Pimp (2004/2005/2005), Bart Visser for the music-perfomance Everest 96 (Productiehuis Rotterdamse Schouwburg, 2005) and Bart Oomen for Toen 't Licht Verdween (Toneelschuur Producties, 2006). In Toen 't Licht Verdween she and the steadycam danced a pas de deux with actress Willeke van Ammelrooy.
(for more info: www.keepshooting.nl)

 
   
     
  Sabri Saad El Hamus - actor
Sabri Saad El Hamus was born in Egypt. He started his career in the Netherlands in 1983 when he entered the Acting Academy in Arnhem. Since then he has developed a diverse repertoire and experience in serious drama, absurdist theatre, television, feature films and company films. He has played in Back to the Desert with Toneelgroep Amsterdam, Friedichswald from De Trust, Bingo, a hilarious comedy by Brothers Flint and The Egyptian Skater, written by Ruud van Megen. Sabri also played in The Unlucky, Impure and Jasser, all written by Abdelkader Benali. The latter piece is inspired on Sabri and especially written for him.
Since 1988 Sabri has his own company: Lamaqul Productions include The Undutchables and New Gentlemen. He has appeared in television series such as Pleidooi and Unit 13.

 
   
     
  Jannie Pranger - soprano
The soprano Jannie Pranger studied singing at the conservatory of music in Utrecht. In the Dutch film Het Schaduwrijk of Kees Hin, she was the singing actress, and sang Berlioz' song: Le Spectre de la Rose; it was premiered in the film festival of Rotterdam. She created international sensation with programs of compositions for solo-voice: in these concerts she sung works of Kurtág, Andriessen, Knaifel and Berio. With the pianist Tomoko Mukaiyama she developed theatrical recitals with titles such as Singing Stories and Crimes and Passion. This duo asked composers to write new work to these subjects; this resulted in a flow of beautiful new compositions with very different styles for voice and piano. For example Louis Andriessen’s ballad for solo voice Song of the Sea, the Japanese composer Atsuhiko Gondaï with La Poeme de la Force about the life of the French philosopher Simone Weil. A cd has been recorded with a choice of compositions from these recitals. Her musical personality is proof that renewal in music is not attached to externals such as style, form, notation or improvisation; the musical input of Jannie Pranger encourages the listener to hear and indeed understand the renewing aspects present in all good music.
Hence her interpretation of Messiaen's Harawi songs, Sciarrino's Vanitas, Frederic Rzewski's monodrama Antigone and Kassandra and La Déesse Athena of Iannis Xenakis. Though originally written for male voice, Xenakis, convinced of the possibilities of her voice, developed a version just for her. In a letter Xenakis wrote at 3-14-1995 : Dear Jannie, what a wonderful voice you've got. You are a true Goddess Athena!

 
   
     
 

Ensemble New Amsterdam - musicians
Ensemble New Amsterdam was originally founded in 2002 as quartet of clarinet, flute, piano and cello by Catherine Reijans (flute). This unorthodox combination of instruments enabled the musicians to explore new combinations in programming like the silent film project by Filmmuseum Amsterdam in 2003. ENA gave concerts throughout the Netherlands and in Washington D.C. In New York they have worked together with composer Jonathan Holland and flutist Katherine Hoover.
For the opera JASSER the ensemble consists of clarinet, cello, percussion, ud and electronics.



Marcel Andriessen - slagwerk

Marcel Andriessen (1966) studied percussion at the Hilversums Conservatorium. He performs with theatre and dance companies such as Dogtroep, De Appel, Danstheater Krizstina de Chatel, Het Nederlands Danstheater, Theater Artemis and Het Noord Nederlands Toneel and in contemporary music ensembles such as Ensemble Polychromie Lille, The Barton Workshop, Het Schoenberg Ensemble and percussion group Den Haag. Together with Wim Konink he forms a percussion duo specializing in contemporary music. In the last few years they premiered works by: Harry de Wit, Jan Bus, Luc Brewaeys, Phillippe Boesmans, Jonty Harrison and Roger Marsh. Marcel was a member of Circle Percussion from 1994-2002 and is a member of percussion group The Hague since 1998.



Michel Marang - clarinet

Amsterdam based clarinetist Michel Marang studied with Walter Boeykens and finished conservatory cum laude in 1987, the same year in which he also got his degree in philosophy at Amsterdam University. Hereafter he studied with Hans Deinzer (Germany) and took masterclasses with Roger Heaton (England) and Susan Stephens (USA). Apart from his interest in classical music, theatre, and world-music, Marang specializes in contemporary music. He collaborated with many composers, including Olivier Messiaen, Morton Feldman, Edison Denisov and Karlheinz Stockhausen. With the latter he studied his monumental ‘Harlequin’, a 45 minute solo for a dancing and miming clarinetist. Over thirty compositions were dedicated to him. In addition, Marang wrote music for several theatre productions, such as "Nicky Somewhere Else", which was very successful on Broadway. As a soloist, Michel Marang performed throughout Europe, the USA, Mexico, Russia, Ukraine, Estonia, India, and the Middle-East. He gave seminars at several leading institutions, including the Moscow Conservatory.



Ilonka van den Bercken - cello
Ilonka van den Bercken studied at the Royal Conservatory in The Hague with Dmitri Ferschtman. She continued her studies with Melissa Phelps at the Conservatory in Amsterdam and the Royal College of Music in London. In 2001 she graduated with diplomas for both cello and baroque cello with First Class Honours. In London she performed the Dvorak cello concerto with the orchestra of the Royal College. Ilonka has taken part in many different festivals and masterclasses, amongst others with Colin Carr, Frans Helmerson, Gyorgy Kurtag, Oliver Knussen and Andrew Manze. She was principal cellist of the Britten-Pears Baroque Orchestra for two years and a member of the European Union Youth Orchestra.
Now living in Amsterdam she is free-lancing as a cellist in orchestras and chamber music ensembles. With Ensemble New Amsterdam, which she co-founded, she made a tour to the USA. Ilonka is also a member of Conjunto Iberico, a cello octet with whom she performs in the Netherlands and throughout Europe and North and South America. Future projects include producing a newly written opera for Ensemble New Amsterdam, which will be premiered in Amsterdam in September 2006 and will tour in the Netherlands. In April 2006 Ilonka made her debut as a stage-director when staging the Italian baroque opera La Liberazione di Ruggiero in Oslo.



Guy Harries - electronics
Composer/performer born in Israel, working in London and Amsterdam. He studied sonology and composition at the Royal Conservatory in the Hague. He has worked extensively as flutist and vocalist. His current musical work consists mostly of the interactive combination of live electronics and acoustic instruments. His compositions were broadcast and performed in various venues around the world. He was winner of the Henriette Bosmans prize of the Association of Dutch composers (GeNeCo)
for the year 2000. He collaborated with musician Meira Asher in the programme Infantry (performance and album), and with ensembles such as POW and the N Ensemble. His compositions have been performed by contemporary ensembles such as: Tate Ensemble, SOIL, The Roentgen Connection, Dutch Vocal Lab and LOOS. At the moment he is studying for a PhD in electro-acoustic composition at City University in London. He is also a singer-songwriter, practising electronic troubadourism with his laptop and voice.
For more information: www.myspace.com/gharries



Behsat Üvez - ud
For many years Behsat Üvez worked with a number of dance groups and orchestras in Turkey. He was an instrumentalist and soloist with the Ankara State Ensemble for nine years, and the musical leader of the folkloristic dance and music ensemble Tüfem in Ankara. With these two groups he travelled all over the world, propagating Turkish music. Since 1989 he has worked as a musician and music teacher in the Netherlands.
Behsat is both singer and multi-instrumentalist. He plays the baglama (saz), cura, tar, kabak kemane (knee viol), violin, cümbüs (fretless lute), ud, mandolin en various percussion instruments. His expertise lies in Turkish, Balkan and Mediterranean music. Apart from solo- performances, he played in Orient Express, Ano Kato (Greek music), Cafe Barana and the Hasan Band. He has also participated in a great many experimental and international projects, such as Female Factory ,5-May project with the Metropol Orchestra, Music Meeting (Nijmegen, 2000), Foundation Jazz Utrecht, the Culture Factory Amsterdam (1999-2000), Foundation Kulsan (2000), Circus Colourful City in Nijmegen, Global Village Orchestra and festival “Klap op de Vuurpijl”-NPS/Radio 4 with Alan Laurrilard`s Seafood plus, Raiz met Fernando Lamerinihas, Made in Holland .
With clarinettist Steven Kamperman Beshat founded the innovating and very successful project ensemble Barana & Co. This acclaimed ensemble performed at well-known jazz and world music festivals like the Music Meeting Nijmegen, SJU Jazz festival Utrecht and the VPRO festival Amsterdam. In 2006 – 2007 Behsat is planning a theatre tour in the Netherlands and abroad with Barana & Co. Apart from teaching saz, Turkish percussion and singing at the Groningen and Hoogezand Schools of Music, Behsat coordinates short-term activities at the Groningen School of Music. Both in the Netherlands and abroad he is much in demand as a performing musician and workshop leader.

 
   
 
  Designers R U I M – designers
Sigrid van Kleef (1974) and René van der Leest (1972) studied together at the Academy of Art Minerva in Groningen. They specialized in architectional design and civil engineering and graduated in 1998. That was the start of an inspirational and long-term collaboration.
Individual projects were supported by the vision of the other, like The Retired Actor (a project inspired on the method by American architect John Hejduk), Mobile Dancing, and René’s final exam project together with the Shakespeare Company in Diever.
Their company name R U I M stands for space and the widest range possible of the possibilities of designing. This means always on the border of theatre-design and architecture, graphical design and furniture design. They work as well in the private-sector as for theatre productions. R U I M designed costumes for Time for test/time for rest…a Gasthuisproduction in Amsterdam and Prague, and King Arthur for Barokopera Amsterdam.

 
   
 
Ace McCarron- lighting designer
Ace McCarron started working in contemporary opera in 1978 with Sir Peter Maxwell Davies group 'The Fires of London'. He has been designing lighting for Music Theatre Wales in Cardiff for the past fifteen years, and also for many other opera producers including Scottish Opera, The Royal Opera House Garden Venture, Opera Vest of Bergen, The State Opera of Tatarstan, Opera Trionfo, Opera de la Monnaie/de Munt, the Scottish Early Music Consort, Psappha, Almeida Opera, Rottedamse Schouwburg, the Innsbrucker Festspiele and Opera du Rhin.
He is an associate of Howard Barker's company, 'The Wrestling School', is a Specialist Advisor to the Scottish Arts Council, and is strongly committed to education work, through organizations such as the Royal Welsh College of music and Drama, Music in the Round, Sheffield, the Royal Opera House Education Department, WNO Youth Opera, and OperaMax project, The Royal Northern College of Music, the Royal College of Music, and the Birmingham Conservatoire.
 
Paul Jeukendrup - sound director
Paul Jeukendrup, sound designer and sound director, studied music registration and electronic composition at the Royal Conservatory, The Hague. He designed and directed sound for festivals (Holland Festival (since 1993), Wiener Festwochen 2002,
Berliner Festwochen 2002, Sonic Evolutions Festival Lincoln Center New York 2004, Crossing Border Festival (1994 – 1996), Opening ceremony new Dutch parliament building (1992), while specializing in the field of new music. He worked in the Netherlands and abroad with such composers as Karlheinz Stockhausen, Louis Andriessen and Peter Eötvös; with ensembles such as the Arditti String Quartet, Ensemble Intercontemporain, Hilliard Ensemble, MusikFabrik, ASKO / Schönberg Ensemble, London Sinfonietta; with conductors Peter Eötvös, Reinbert de Leeuw, Stefan Asbury, David Robertson, Jurjen Hempel and Ed Spanjaard; with directors Pierre Audi and Christoph Marthaler; with opera companies as The Dutch Opera, l'Opéra National de Belgique, Théâtre du Capitole Toulouse. He teaches sound design at the Royal Conservatory, The Hague, since 1999 and at the Technical University Delft from 1997 – 2001.
 
Ilonka van den Bercken - producer
Ilonka van den Bercken studied at the Royal Conservatory in The Hague with Dmitri Ferschtman. She continued her studies with Melissa Phelps at the Conservatory in Amsterdam and the Royal College of Music in London. In 2001 she graduated with diplomas for both cello and baroque cello with First Class Honours. In London she performed the Dvorak cello concerto with the orchestra of the Royal College. Ilonka has taken part in many different festivals and masterclasses, amongst others with Colin Carr, Frans Helmerson, Gyorgy Kurtag, Oliver Knussen and Andrew Manze. She was principal cellist of the Britten-Pears Baroque Orchestra for two years and a member of the European Union Youth Orchestra.
Now living in Amsterdam she is free-lancing as a cellist in orchestras and chamber music ensembles. With Ensemble New Amsterdam, which she co-founded, she made a tour to the USA. Ilonka is also a member of Conjunto Iberico, a cello octet with whom she performs in the Netherlands and throughout Europe and North and South America. Future projects include producing a newly written opera for Ensemble New Amsterdam, which will be premiered in Amsterdam in September 2006 and will tour in the Netherlands. In April 2006 Ilonka made her debut as a stage-director when staging the Italian baroque opera La Liberazione di Ruggiero in Oslo.

 
Bodylab Art Foundation - producer
Co-founded by sound and image performance artists Meira Asher and Guy Harries in January 2001, bodylab is an art foundation based in the Hague, The Netherlands. Established for purposes of research, creation and production of interdisciplinary societal art projects, they focus on real-time interactivity of electro-acoustic sound, and image. Artist Joost Nieuwenburg joined bodylab in January 2005.


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 With thanks to: Bert Schierbeek Fonds