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Abdelkader
Benali - writer
born in Ighazzazen, Morocco, living in the Netherlands
since the age of four. In 1996 he published his
debut novel, Wedding by the Sea, which
was nominated for the Libris Literature prize 1997
and was awarded the Geertjan Lubberhuizen prize
1997 for best debut novel of the year. The novel
has been translated into 10 languages, and won the
Prix du Meilleur Premier Roman Etranger in France.
Benali also wrote a second novel, The Long-awaited
nominated for the Libris Literature Prize 2003,
two successful plays (Jasser, and The
Unlucky One), as well as a collection of short
stories, Messages from Poppy Seed Town.
His third title came out in 2005: Let it be
beautiful again tomorrow. He also gives lectures
on a regular basis on a wide variety of subjects
and writes frequently for the Dutch newspaper NRC-Handelsblad.
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David
Prins - director
David Prins studied cello and music theatre direction
at the Royal Conservatory in The Hague, Netherlands.
In the past 15 years he has developed as an independent
stage director for music theatre. He staged operas
by Mozart, Purcell, Poulenc, Verdi, Puccini, Offenbach,
Menotti, Vaughn Williams, Shostakovich, Von Suppé
and Andriessen. He has also worked on plays such
as by Ionesco, Albee, Anouilh, Büchner, Dürrenmatt
and Synge.
Stagings by Prins have been played on all major
stages throughout the Netherlands. David Prins has
also worked in Germany, Belgium, France, Austria,
Israel and the Russian Federation. In the coming
season he will continue his arrangement and staging
of “A Tempest”, a collaboration with
Baroque Opera Amsterdam in their series “Purcell
on Stage”. He will also work on the newly
written opera “Jasser”, a theatre monologue
written by Abdelkader Benali arranged by Prins into
a libretto and music written by the Israeli composer
Guy Harries, and he will stage “Don Giovanni”
with the Russian State Opera in Kazan.
In 2007 Prins will stage “Rusalka” with
Opera Zuid and he will stage his first Wagner production
in Austria with “Der Fliegende Holländer”.
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Guy
Harries - composer
Composer/performer born in Israel, working in London
and Amsterdam. He studied sonology and composition
at the Royal Conservatory in the Hague. He has worked
extensively as flutist and vocalist. His current
musical work consists mostly of the interactive
combination of live electronics and acoustic instruments.
His compositions were broadcast and performed in
various venues around the world. He was winner of
the Henriette Bosmans prize of the Association of
Dutch composers (GeNeCo)
for the year 2000. He collaborated with musician
Meira Asher in the programme Infantry (performance
and album), and with ensembles such as POW and the
N Ensemble. His compositions have been performed
by contemporary ensembles such as: Tate Ensemble,
SOIL, The Roentgen Connection, Dutch Vocal Lab and
LOOS. At the moment he is studying for a PhD in
electro-acoustic composition at City University
in London. He is also a singer-songwriter, practising
electronic troubadourism with his laptop and voice.
For more information: www.myspace.com/gharries
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Conny
de Vugt - visual artist
Graduated from the Willem de Kooning Academy in
Rotterdam in 1993. In her independent short films
she combines a variety of video, photo and animation
techniques. A number of her films were premiered
at international film festivals all over Europe.
One of these, Nahrung (2005), was taken
into distribution by Interfilm Berlin after it was
screened at the Going Underground Festival in Berlin.
In 2002 she founded her own company Keep Shooting.
She produces her own films, as well as video and
animation for theatre performances, exhibitions
and art projects. Her film work for theatre began
when she was invited to participate in the project
Serendipity 6 (Theater Bonheur, 2000), for which
she created the video installation Irina Ratushinskaja
Vertelt...
She created images and animations for several performances.
She worked with Gerrit Timmers of Onafhankelijk
Toneel in Abels Eiland and Dominiek
(2002/2003), David Prins in Contact - De Opera
(Productiehuis Rotterdamse Schouwburg, 2003),
Hans Lein for the youth performances Less Than
Zero, Klassenstrijd and De Pimp
(2004/2005/2005), Bart Visser for the music-perfomance
Everest 96 (Productiehuis Rotterdamse Schouwburg,
2005) and Bart Oomen for Toen 't Licht Verdween
(Toneelschuur Producties, 2006). In Toen 't
Licht Verdween she and the steadycam danced
a pas de deux with actress Willeke van Ammelrooy.
(for more info: www.keepshooting.nl)
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Sabri
Saad El Hamus - actor
Sabri Saad El Hamus was born in Egypt.
He started his career in the Netherlands in 1983
when he entered the Acting Academy in Arnhem. Since
then he has developed a diverse repertoire and experience
in serious drama, absurdist theatre, television,
feature films and company films. He has played in
Back to the Desert with Toneelgroep Amsterdam,
Friedichswald from De Trust, Bingo,
a hilarious comedy by Brothers Flint and The
Egyptian Skater, written by Ruud van Megen.
Sabri also played in The Unlucky, Impure
and Jasser, all written by Abdelkader Benali.
The latter piece is inspired on Sabri and especially
written for him.
Since 1988 Sabri has his own company: Lamaqul Productions
include The Undutchables and New Gentlemen.
He has appeared in television series such as Pleidooi
and Unit 13.
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Jannie
Pranger - soprano
The soprano Jannie Pranger studied singing at the
conservatory of music in Utrecht. In the Dutch film
Het Schaduwrijk of Kees Hin, she was the
singing actress, and sang Berlioz' song: Le
Spectre de la Rose; it was premiered in the
film festival of Rotterdam. She created international
sensation with programs of compositions for solo-voice:
in these concerts she sung works of Kurtág,
Andriessen, Knaifel and Berio. With the pianist
Tomoko Mukaiyama she developed theatrical recitals
with titles such as Singing Stories and
Crimes and Passion. This duo asked composers
to write new work to these subjects; this resulted
in a flow of beautiful new compositions with very
different styles for voice and piano. For example
Louis Andriessen’s ballad for solo voice Song
of the Sea, the Japanese composer Atsuhiko
Gondaï with La Poeme de la Force about
the life of the French philosopher Simone Weil.
A cd has been recorded with a choice of compositions
from these recitals. Her musical personality is
proof that renewal in music is not attached to externals
such as style, form, notation or improvisation;
the musical input of Jannie Pranger encourages the
listener to hear and indeed understand the renewing
aspects present in all good music.
Hence her interpretation of Messiaen's Harawi
songs, Sciarrino's Vanitas, Frederic
Rzewski's monodrama Antigone and Kassandra
and La Déesse Athena of Iannis Xenakis.
Though originally written for male voice, Xenakis,
convinced of the possibilities of her voice, developed
a version just for her. In a letter Xenakis wrote
at 3-14-1995 : Dear Jannie, what a wonderful
voice you've got. You are a true Goddess Athena!
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Ensemble
New Amsterdam - musicians
Ensemble New Amsterdam was originally founded
in 2002 as quartet of clarinet, flute, piano and
cello by Catherine Reijans (flute). This unorthodox
combination of instruments enabled the musicians
to explore new combinations in programming like
the silent film project by Filmmuseum Amsterdam
in 2003. ENA gave concerts throughout the Netherlands
and in Washington D.C. In New York they have worked
together with composer Jonathan Holland and flutist
Katherine Hoover.
For the opera JASSER the ensemble consists of
clarinet, cello, percussion, ud and electronics.
Marcel Andriessen - slagwerk
Marcel Andriessen (1966) studied percussion at
the Hilversums Conservatorium. He performs with
theatre and dance companies such as Dogtroep,
De Appel, Danstheater Krizstina de Chatel, Het
Nederlands Danstheater, Theater Artemis and Het
Noord Nederlands Toneel and in contemporary music
ensembles such as Ensemble Polychromie Lille,
The Barton Workshop, Het Schoenberg Ensemble and
percussion group Den Haag. Together with Wim Konink
he forms a percussion duo specializing in contemporary
music. In the last few years they premiered works
by: Harry de Wit, Jan Bus, Luc Brewaeys, Phillippe
Boesmans, Jonty Harrison and Roger Marsh. Marcel
was a member of Circle Percussion from 1994-2002
and is a member of percussion group The Hague
since 1998.
Michel Marang - clarinet
Amsterdam based clarinetist Michel Marang studied
with Walter Boeykens and finished conservatory
cum laude in 1987, the same year in which he also
got his degree in philosophy at Amsterdam University.
Hereafter he studied with Hans Deinzer (Germany)
and took masterclasses with Roger Heaton (England)
and Susan Stephens (USA). Apart from his interest
in classical music, theatre, and world-music,
Marang specializes in contemporary music. He collaborated
with many composers, including Olivier Messiaen,
Morton Feldman, Edison Denisov and Karlheinz Stockhausen.
With the latter he studied his monumental ‘Harlequin’,
a 45 minute solo for a dancing and miming clarinetist.
Over thirty compositions were dedicated to him.
In addition, Marang wrote music for several theatre
productions, such as "Nicky Somewhere Else",
which was very successful on Broadway. As a soloist,
Michel Marang performed throughout Europe, the
USA, Mexico, Russia, Ukraine, Estonia, India,
and the Middle-East. He gave seminars at several
leading institutions, including the Moscow Conservatory.
Ilonka van den Bercken - cello
Ilonka van den Bercken studied at the Royal Conservatory
in The Hague with Dmitri Ferschtman. She continued
her studies with Melissa Phelps at the Conservatory
in Amsterdam and the Royal College of Music in
London. In 2001 she graduated with diplomas for
both cello and baroque cello with First Class
Honours. In London she performed the Dvorak cello
concerto with the orchestra of the Royal College.
Ilonka has taken part in many different festivals
and masterclasses, amongst others with Colin Carr,
Frans Helmerson, Gyorgy Kurtag, Oliver Knussen
and Andrew Manze. She was principal cellist of
the Britten-Pears Baroque Orchestra for two years
and a member of the European Union Youth Orchestra.
Now living in Amsterdam she is free-lancing as
a cellist in orchestras and chamber music ensembles.
With Ensemble New Amsterdam, which she co-founded,
she made a tour to the USA. Ilonka is also a member
of Conjunto Iberico, a cello octet with whom she
performs in the Netherlands and throughout Europe
and North and South America. Future projects include
producing a newly written opera for Ensemble New
Amsterdam, which will be premiered in Amsterdam
in September 2006 and will tour in the Netherlands.
In April 2006 Ilonka made her debut as a stage-director
when staging the Italian baroque opera La
Liberazione di Ruggiero in Oslo.
Guy Harries - electronics
Composer/performer born in Israel, working in
London and Amsterdam. He studied sonology and
composition at the Royal Conservatory in the Hague.
He has worked extensively as flutist and vocalist.
His current musical work consists mostly of the
interactive combination of live electronics and
acoustic instruments. His compositions were broadcast
and performed in various venues around the world.
He was winner of the Henriette Bosmans prize of
the Association of Dutch composers (GeNeCo)
for the year 2000. He collaborated with musician
Meira Asher in the programme Infantry (performance
and album), and with ensembles such as POW and
the N Ensemble. His compositions have been performed
by contemporary ensembles such as: Tate Ensemble,
SOIL, The Roentgen Connection, Dutch Vocal Lab
and LOOS. At the moment he is studying for a PhD
in electro-acoustic composition at City University
in London. He is also a singer-songwriter, practising
electronic troubadourism with his laptop and voice.
For more information: www.myspace.com/gharries
Behsat Üvez - ud
For many years Behsat Üvez worked with a
number of dance groups and orchestras in Turkey.
He was an instrumentalist and soloist with the
Ankara State Ensemble for nine years, and the
musical leader of the folkloristic dance and music
ensemble Tüfem in Ankara. With these two
groups he travelled all over the world, propagating
Turkish music. Since 1989 he has worked as a musician
and music teacher in the Netherlands.
Behsat is both singer and multi-instrumentalist.
He plays the baglama (saz), cura, tar, kabak kemane
(knee viol), violin, cümbüs (fretless
lute), ud, mandolin en various percussion instruments.
His expertise lies in Turkish, Balkan and Mediterranean
music. Apart from solo- performances, he played
in Orient Express, Ano Kato (Greek music), Cafe
Barana and the Hasan Band. He has also participated
in a great many experimental and international
projects, such as Female Factory ,5-May project
with the Metropol Orchestra, Music Meeting (Nijmegen,
2000), Foundation Jazz Utrecht, the Culture Factory
Amsterdam (1999-2000), Foundation Kulsan (2000),
Circus Colourful City in Nijmegen, Global Village
Orchestra and festival “Klap op de Vuurpijl”-NPS/Radio
4 with Alan Laurrilard`s Seafood plus, Raiz met
Fernando Lamerinihas, Made in Holland .
With clarinettist Steven Kamperman Beshat founded
the innovating and very successful project ensemble
Barana & Co. This acclaimed ensemble performed
at well-known jazz and world music festivals like
the Music Meeting Nijmegen, SJU Jazz festival
Utrecht and the VPRO festival Amsterdam. In 2006
– 2007 Behsat is planning a theatre tour
in the Netherlands and abroad with Barana &
Co. Apart from teaching saz, Turkish percussion
and singing at the Groningen and Hoogezand Schools
of Music, Behsat coordinates short-term activities
at the Groningen School of Music. Both in the
Netherlands and abroad he is much in demand as
a performing musician and workshop leader.
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Designers
R U I M – designers
Sigrid van Kleef (1974) and René van der
Leest (1972) studied together at the Academy of
Art Minerva in Groningen. They specialized in architectional
design and civil engineering and graduated in 1998.
That was the start of an inspirational and long-term
collaboration.
Individual projects were supported by the vision
of the other, like The Retired Actor (a
project inspired on the method by American architect
John Hejduk), Mobile Dancing, and René’s
final exam project together with the Shakespeare
Company in Diever.
Their company name R U I M stands for space and
the widest range possible of the possibilities of
designing. This means always on the border of theatre-design
and architecture, graphical design and furniture
design. They work as well in the private-sector
as for theatre productions. R U I M designed costumes
for Time for test/time for rest…a
Gasthuisproduction in Amsterdam and Prague, and
King Arthur for Barokopera Amsterdam.
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Ace
McCarron- lighting designer
Ace McCarron started working in contemporary opera
in 1978 with Sir Peter Maxwell Davies group 'The
Fires of London'. He has been designing lighting
for Music Theatre Wales in Cardiff for the past
fifteen years, and also for many other opera producers
including Scottish Opera, The Royal Opera House
Garden Venture, Opera Vest of Bergen, The State
Opera of Tatarstan, Opera Trionfo, Opera de la Monnaie/de
Munt, the Scottish Early Music Consort, Psappha,
Almeida Opera, Rottedamse Schouwburg, the Innsbrucker
Festspiele and Opera du Rhin.
He is an associate of Howard Barker's company, 'The
Wrestling School', is a Specialist Advisor to the
Scottish Arts Council, and is strongly committed
to education work, through organizations such as
the Royal Welsh College of music and Drama, Music
in the Round, Sheffield, the Royal Opera House Education
Department, WNO Youth Opera, and OperaMax project,
The Royal Northern College of Music, the Royal College
of Music, and the Birmingham Conservatoire.
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Paul
Jeukendrup - sound director
Paul Jeukendrup, sound designer and sound
director, studied music registration and electronic
composition at the Royal Conservatory, The Hague.
He designed and directed sound for festivals (Holland
Festival (since 1993), Wiener Festwochen 2002,
Berliner Festwochen 2002, Sonic Evolutions Festival
Lincoln Center New York 2004, Crossing Border Festival
(1994 – 1996), Opening ceremony new Dutch
parliament building (1992), while specializing in
the field of new music. He worked in the Netherlands
and abroad with such composers as Karlheinz Stockhausen,
Louis Andriessen and Peter Eötvös; with
ensembles such as the Arditti String Quartet, Ensemble
Intercontemporain, Hilliard Ensemble, MusikFabrik,
ASKO / Schönberg Ensemble, London Sinfonietta;
with conductors Peter Eötvös, Reinbert
de Leeuw, Stefan Asbury, David Robertson, Jurjen
Hempel and Ed Spanjaard; with directors Pierre Audi
and Christoph Marthaler; with opera companies as
The Dutch Opera, l'Opéra National de Belgique,
Théâtre du Capitole Toulouse. He teaches
sound design at the Royal Conservatory, The Hague,
since 1999 and at the Technical University Delft
from 1997 – 2001.
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Ilonka
van den Bercken - producer
Ilonka van den Bercken studied at the Royal Conservatory
in The Hague with Dmitri Ferschtman. She continued
her studies with Melissa Phelps at the Conservatory
in Amsterdam and the Royal College of Music in London.
In 2001 she graduated with diplomas for both cello
and baroque cello with First Class Honours. In London
she performed the Dvorak cello concerto with the
orchestra of the Royal College. Ilonka has taken
part in many different festivals and masterclasses,
amongst others with Colin Carr, Frans Helmerson,
Gyorgy Kurtag, Oliver Knussen and Andrew Manze.
She was principal cellist of the Britten-Pears Baroque
Orchestra for two years and a member of the European
Union Youth Orchestra.
Now living in Amsterdam she is free-lancing as a
cellist in orchestras and chamber music ensembles.
With Ensemble New Amsterdam, which she co-founded,
she made a tour to the USA. Ilonka is also a member
of Conjunto Iberico, a cello octet with whom she
performs in the Netherlands and throughout Europe
and North and South America. Future projects include
producing a newly written opera for Ensemble New
Amsterdam, which will be premiered in Amsterdam
in September 2006 and will tour in the Netherlands.
In April 2006 Ilonka made her debut as a stage-director
when staging the Italian baroque opera La Liberazione
di Ruggiero in Oslo.
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Bodylab
Art Foundation - producer
Co-founded by sound and image performance
artists Meira Asher and Guy Harries in January 2001,
bodylab is an art foundation based in the Hague,
The Netherlands. Established for purposes of research,
creation and production of interdisciplinary societal
art projects, they focus on real-time interactivity
of electro-acoustic sound, and image. Artist Joost
Nieuwenburg joined bodylab in January 2005.
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With thanks to:
Bert Schierbeek Fonds
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